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Movie info=June was once a known counter-culture figure, but that was a decade ago. She now lives alone in her South Bronx apartment, having all but cut herself off from the outside world. It's the notorious "Summer of Sam" and June only has to look out of her window to see the violence escalating with the brutal summer heat. The city is on a knife's edge, a pressure-cooker about to explode into the incendiary 1977 New York blackout riots; Genre=Thriller, Drama; Country=UK; 2019; runtime=99minutes; Directed by=Alistair Banks Griffin. 8 /10 A pleasant surprise. I can only applaud this movie for portraying the most believable picture of anxiety and mental issues. And I love how we get the picture painted of New York and the world outside June's apartment only by looking out of her window and the occasional news broadcast. This is the kind of movie I really want to re-visit. But I don't look particularly forward to another go at this darkness... Anyway... By the end you really feel like you know this woman. Even though we have only had insinuations about her life before we meet her. Insinuations is in fact key in the telling of this story. This movie is in my opinion very well written, very well, directed and very well acted. As a result I was very pleasantly surprised. 10 out of 14 found this helpful. Was this review helpful? Sign in to vote. Permalink The Wolf Hour - An Honest Take on Life and it's Difficulties Warning: Spoilers Things are never what they appear on screen. The art of film making consists in telling a story inside a story, in using subtleties and hidden (sometimes not so hidden) meanings to convey a concept, an idea, to makes us thing about the nature of our existence. In that aspect The Wolf Hour is like any other movie, but there is a fundamental difference that changes The Wolf Hour from a regular movie to a wonderful experience. In essence, all movies are the same, right? We have a setting, we are introduced to the characters, and then something unforeseeable happens to those characters, and then we got ourselves a movie. What is different about The Wolf Hour is that, very simply, nothing happens. We are not watching the beginnings of a disturbance in a character's life, in The Wolf Hour that disturbance already happened, and instead what we're dealing with is the aftermath of said disturbance. When we first meet June she is in a bad place, in every aspect that is possible for a modern human being to be: physically, emotionally and economically. We are immediately drawn to the question "What happened to that woman? And as the movie progresses, we get answers to that question. Those answers come in various forms, hidden in conversations, shown to us through an old cassete tape, through a phone call, through an incredible act of faith that takes form in a "Hail Mary" request for the odd delivery boy. What we witness on screen are not exactly the actions of June, since she is just going through the motions, uncertain of her future, but what drives her to take those actions and her reaction the the way they unfold. The Wolf Hour is a deep and emotional character study of a once great woman who let her insecurities and fears get the best of her, and how in the darkest moment she sees clearly what's most important to her in life. It's an honest take on how life can get you down beyond your worst nightmares, nut how your worst enemy will always be yourself. You will always be the person to beat. In the end, I think we all see ourselves in June. I know I did. "Is that character you? 7 out of 9 found this helpful. 2 /10 Nothing, over and over It seems the creator of this movie wrote in a scene in the bath so he could tell funders he had a nude Naomi Watts and they gave him the cash. There seems no other way this script would have made it to production. It's barely a draft. 23 out of 39 found this helpful. 1 /10 Watts' performance cannot save a bad plot June (Watts) was a celebrated counter culture author (apparently from a well-to-do family) that wrote a well received novel that was more or less a biography of her father. That biography exposed illicit activities of her fathers company which resulted in legal issues and significant strife within her family. The movie opens with June in self-enforced isolation in a Bronx apartment circa 1977 during a summer heat wave, and if you know your history when there was a large power blackout and subsequent fires and looting. Watts gives and outstanding performance, but there is little she can do to resolve terrible story writing from writer/director Alistair Banks Griffin. The first full hour of the movie portrays June as paranoid, depressed, and in obvious self imposed isolation. Suspense build as the viewer assumes that the backstory for June must include some terrible event that shaped her life and made her so fearful. The setting of a bad part of the Bronx during a summer heat wave where she can see crime outside her apartment window reinforced the suspense. There are even radio news snippets that the audience overhears of a serial murderer that is targeting long haired brunettes (you guessed it, Watts' character matches that description. There is also the recurring ringing (and annoying) of her intercom at random hours of the night to make you think somebody is stalking her. We find out that the horrifying event that has so traumatized June was the impact her book had on her family, and her fear of leaving her apartment has nothing to do with her personal safety, but her fear that she will do more damage to the world at large. We also discover that her ordeal and self imposed isolation has lasted 4 years. The writer takes 2 full acts of suspense, scene setting, and character building relying on the incredible talents of Watt to keep the viewer engaged to spectacularly let them down with a petty problem that has only a paper thin relationship to the established paranoia. The third act continues the disappointment as miraculously, a few minor interactions with people (a grocery store delivery guy, her sister, a male prostitute, and a phone call to her publisher) beings a rapid transformation in the character the defies belief. There isn't a clear "thing" that triggers June's transformation. There is an odd conversation with the male prostitute that could have been intended by the writer as the turning point, but it comes off as a non-important moment. Regardless, the character resolves her writers block and suspends a great deal of her paranoia to allow her to dust of her typewriter and finish her book that was 4 years in the making - all in 1 month. The final scenes have June leaving her apartment and watching the sunrise while surrounded by the destruction of the nights riots. This is a really basic story that follows a common hero quest motif (aka The Hero Journey) that most of us learn in grade school English. The only thing that holds the first 2 acts together is Watts' performance and the contrived suspense. The plot device around her paranoia falls flat, and the 3rd act wraps up so rapidly that the lead character just comes off as petty. 26 out of 49 found this helpful. 9 /10 ghost rider oh hell yes This movie is brilliant and I think the directer is the next Aronofsky. Not one detail was out of place. Totally a time capsule of the old NYC before it was assimilated by satan's government, bankers etc. From the opening shot (Physical Graffiti lol) to the end. Better than Summer of Sam because it doesn't give answers; it shows them in the subtle details and reflective nuances. If you like great movies, don't let the gen pop of one star reviewers who should stick to super heroes and the rest of holly weird deter you from seeing it. 8 out of 12 found this helpful. 6 /10 Conflicted The acting is pretty good from all the characters, but especially Watts. Visually it's oppressive, the sound design sets you on edge, I hated that buzzer ringing over and over and over again for no purpose. But, the script is atrocious! This film should never have gotten past the proof readers, it is junk. The idea is great, laden with plenty of opportunity and Naomi Watts definitely has it in her talents to give the storytelling exactly what it needs. I mean, come on, a sweaty lecherous police officer denied his I'll gotten gains by a handheld radio, in the 70's? They might well have had those radios back then but that is a lazy way to resolve a narrative dead end. And this buzzer that keeps ringing with no one on the other end? Just get it repaired for the love of god. And why place so much emphasis on this serial killer if you're going to abandon it completely? All in all, it should be a lot better, it's still more enjoyable than say, Hugo or The Zero Theorem - but it ranks alongside those for sheer opaqueness. 6 out of 9 found this helpful. Watts saves the movie Watts is one of the best actors of the last 20 years. Without her, this movie would have been a disaster. Watch it, just for her performance alone. 8 out of 14 found this helpful. Terrible story supported by a great actor Watts' is phenomenal in what is otherwise a terrible story. The writer uses a tired and obvious story telling structure and has a weak plot device for the main character. Watts does as best as she can with a script so mediocre. 21 out of 47 found this helpful. Slow Burn with no payoff The praises from critics on this one actually baffle me. I have never longed for a movie to end as much as I did sitting through this one. I feel the writer had a bunch of ideas in their head for the direction this movie should go and could not decide on one to go with l. Can not recommend enough saving your time and money on this one 20 out of 45 found this helpful. A suspenseful contained character study This is not a horror. It's not even really a thriller. It's more like a dark character study with some very suspenseful moments. Naomi Watts was amazing! Great direction, stunning visuals & set pieces. The film really captured the feel of the 70s and setting during the Summer of Sam was genius. to unpack in this film, it definitely warrants a few rewatches. 14 out of 31 found this helpful. 10 /10 Yes! Naomi! Can we all take a moment to acknowledge the fact that Watts is a g. n amazing actrice. People who have or have had any form of agorafobia will know she is acting the truth. 7 out of 13 found this helpful. One man Show from Naomi Watts It's a startling portrayal of a woman barely holding it together - for the first half hour, the film feels just one or two crises away from Repulsion. Watts, however, is never not in control, keeping Leigh's simmering hysteria just short of the boiling point. Stuck in place yet always in motion, she creates a woman who paces a cage built of self-loathing and shame. Her emotional credibility is essential to the film's success; even though Leigh's personal demons seem real, the facts of her family history sometimes feel false, a crazy quilt of disconnected details. She's the granddaughter of a famous opera singer - who lived in a tenement in the South Bronx? A paranoid recluse - who impulsively hires a male escort from a newspaper ad? No movie should ask you to believe more than one improbable thing yet The Wolf Hour keeps the demands coming. But Watts remains relentlessly watchable, and the film - which, with its single-set locale, could feel stage-bound - starts bringing other, equally complicated people on screen 99 minutes of miserable miserable nothingness. In short, a waste of 99 minutes of your time, unless you like being miserable and depressed yourself. 11 out of 24 found this helpful. Naomi Watts did it! Naomi Watts at her best! A Golden Globe or an Oscar nomination? She definitely nailed the character in this dramatic thriller. Kudos to Naomi! 9 out of 20 found this helpful. This Movie was Very Crap Another one of those waste of time movies, I had a feeling about half way through it was going into a big, pile of nothing but I kept hoping for that big turning point that was going to make this a good movie but nope. My on, nothing to see here. 7 out of 15 found this helpful. A non sensical bore This film tells the story of a woman who locks herself in her home. What I can tell you, the film is definitely not a thriller. There is no thrill or suspense. In fact, it is full of boredom. The story is not engaging, not captivating and not sensical. If she is so scared of the outside, I struggle to find it sensical that she keeps the windows wide open. The story doesn't go anywhere either. It is just really boring. 4 out of 8 found this helpful. Decent DRAMA- Not a Mystery or Thriller This is MISCHARACTERIZED as a Mystery or Thriller or Suspense. It is a good Drama. And as a drama, albeit almost a ONE person drama, it is decent. All the itinerant characters are acceptably played and Watts is the keystone. I wouldn't pay money to see it, but few movies are worth paying to see anymore. But for a cyberflix of catmouse viewer it's okay, then if you really like it go pay to see it or buy it. 1 out of 1 found this helpful. What the hell is this Anyone who give this more than a 1/10 it a production company employee. This was a load of crap 9 out of 26 found this helpful. Dreary and oppressive I've been a fan of Naomi Watts ever since she played perky Betty in Mulholland Drive (1999) and she has a pretty solid filmography ever since ( just a few duds. She has the courage to play 'screw-up personality' roles for instance in the recent (forgettable) mini TV series Gypsy (2017) and now this movie. But not even her acting can offset the dismal and implausible story line and completely unengaging lead character part. How do investors/producers (including Watts as an executive producer) come to think this movie will have any audience appeal? 4 out of 9 found this helpful. The Wolf Hour I love this movie. I thought it was a nice break from the usual formulaic movies. It was engaging to see the process of isolation in an urban area, notably the violent Summer of Sam era in the then almost bankrupt NYC. I thought it was nice to see how NYC in the 70s was visualized. Noami Watts also did an excellent job of making you go through a range of emotions with her character June. Like the scene where she banked on Freddie to deliver the only copy of her book, giving him her last money and hoping he would come back with the cheque. You could feel the despair. And there are many memorable moments like this. It was also nice that the ending stayed away from the usual formulaic act of physically fighting a bad guy but uses the riots as a vehicle for her to overcome her fear. If there was a moment to fear the outside world it was that moment of lawlessness. However June was too busy worrying about Freddie that she forgot about her own fear and this resulted in her overcoming her fear. It was really creative writing. I thought the movie was an unique experience with many memorable moments. 4 out of 10 found this helpful. Naomi was great in this... The entire plot though not so much. Felt like the film kept certain things ambiguous. First, you don't know if Margot is an ex, a best friend or a sister. Maybe I missed something there. When she calls an escort service they leave you in suspense until the date arrives. Apart from that it was a mystery drama with subtle thriller elements only because it felt like something bad was always about to happen. There are only a few times I feared for her, when she looks out the window multiple times near the end and when she encounters 2 different men. Her agoraphobia is felt and her facing it was relieving. Watch when you have the patience to feel like you're about to be thrilled and instead brought to a dull dramatic end. 0 out of 0 found this helpful. 7 /10 Why these bad reviews? I dont understand this great movie gets all this bad reviews. All i can say is Acting is great Cinematography is good Script is good Its not too long Music and editing is good Actually everything is pretty good and sometimes great so how anybody can give this movie less than average is a mystery or just plain trolling. Feel bad for the director that made a great job with obviously a pretty low mainstream budget GREAT MOVIE Instant classic and Sundance nominee! Would definitely recommend to friends and family, Naomi Watts is magical! 12 out of 49 found this helpful. Great film, absolutely recommend Great film, great production overall from the acting, writing, and direction. Absolutely loved the performance by Naomi Watts. 12 out of 52 found this helpful. Watts is superb THE WOLF HOUR (2019. Naomi Watts, Jennifer Ehle, Kelvin Harrison, Jr., Jeremy Bobb. Watts is superb as a writer on an emotional downward spiral after the death of her grandmother and holing up in her South Bronx apartment during the Summer Of Sam in NYC (1977) with her mind playing tricks on her and ultimately her conflict of remaining in her home despite the fact the outside world will always be a factor. Director Alistair Banks Griffin taps into his inner Polanski echoing the legendary filmmakers' apartment trilogy' with the right amount of dread, despair and claustrophobia. 7 out of 30 found this helpful. Permalink.
Posty: Flexes his riches & successes Me. what a nice and humble guy. Pls DC, just dont screw this one up. “You Ready” - Vacuum Salesman. What happened to Monday. Naomi Watts has been set to star in The Wolf Hour, a psychological thriller from writer-director Alistair Banks Griffin. HanWay Films has acquired sales rights, with CAA aboard to handle domestic rights beginning at the American Film Market. The film is set go into production this fall in New York. The pic centers on June Leigh (Watts) a cultural icon and activist during the 1960s, now fallen from grace and a shell of her former self. An unseen tormentor begins exploiting her weaknesses and she must face her demons at the height of one of the darkest points in New York history: the summer of the the Son of Sam murders. Brian Kavanaugh-Jones and Bailey Conway Anglewicz from Automatik will produce with Bradley Pilz, who will fully finance and produce via under his newly formed Bradley Pilz shingle. The Big Picture Companys Felipe Dieppa will also produce. Executive producers are Watts, Big Picture Compnays Garrett Fennelly and Taryn Nagle, Belladonna Productions Linda Moran and Automatiks Fred Berger. The film, supported by the Sundance Institute Feature Film Program, marks Griffin second feature after his Two Gates of Sleep bowed at the Directors Fortnight in Cannes in the 2010. Watts is repped by CAA, Untitled Entertainment and Hansen, Jacobson. Griffin is with CAA and Gray Krauss.
La hora del miedo o. La hora del miedo naomi watts. June 23, 2019 4:16PM PT Naomi Watts delivers a nuanced, nervy turn as a reclusive shut-in stewing in paranoia, writer's block and the heat of the 1977 Bronx summer. Run a finger along any of the surfaces in Alistair Banks Griffin s sophomore feature “ The Wolf Hour, ” and it will come up slicked with sweat, grime and the residual soot of the city. It is the summer of 1977, and its hotter than hell. June Leigh ( Naomi Watts) perches on the window sill of the squalid Bronx apartment she dares not leave, facing right into a lethargic fan that scarcely even stirs the wavy brown hair off her sticky shoulders. Outside, little blisters of violence and intimidation erupt on the tinder-box streets, and somewhere nearby, Son of Sam is murdering women with wavy brown hair. “Hello from the gutters of New York City, ” the serial killer writes in letters to the papers, and though Griffins heavy-on-atmosphere, light-on-plot film takes place almost exclusively five floors up from ground level, those gutters feel palpably, oppressively close. “ The Wolf Hour ” is a peculiar film, compelling in its way due to Watts tensile, committed performance as a once-celebrated feminist writer now hemmed in to her dead grandmothers apartment by paranoia and the demons unleashed by her earlier success. And though there are other players, if there is a second lead in this near-single-location, near-one-woman-show, it is probably Kaet McAnnenys production design, which oozes menace and neglect so viscerally it might as well be ectoplasm. Khalid Mohtasebs supple photography, too, is a small wonder, never cheating the small space, but finding enough maneuverability within it so that a sense of claustrophobia is evoked without the imagery ever feeling constrained. But for all these strengths, and the judicious application of Saunder Jurriaans and Danny Bensis nervy score, the film lacks texture where it needs it most — in Junes unraveling psychology. She has been holed up here for a while — long enough to have bags of trash collecting flies beside the dusty draft of her second book in the living room, a system in place for paying the rent without opening her door and a regular grocery delivery set up with the bodega nearby. Her isolation is almost complete, except for a sinister buzzing intercom that crackles emptily when she answers it, and for a sudden, unwanted visit from her old friend Margot (Jennifer Ehle) who brings literal and figurative fresh air into her life for a moment, before June alienates her again. Aside from that, she forms a testy bond with delivery boy Freddie (Kelvin Harrison Jr. and fights off the rapey advances of a cop (Jeremy Bobb. But mostly, she chain-smokes, sweats into her drab tank top and fails to write. For all the hothouse menace Griffin summons, there is something coldly considered about “The Wolf Hour. ” As much as we feel Junes anxiety, and the acrid, stultifying weight of the humid air that encases her like wet cement, we never feel for her. Case in point: she replays a videotape of a much more put-together June being condescended to by a male interviewer and matching him jab for jab, until he unleashes the revelation that undoes her entirely and leads to her current, straggly-haired, sweat-stained incarnation. On the one hand, its a fairly effective way of cluing us in on backstory while maintaining the rigor of the single-location premise. But her past vicissitudes seem so like they happened to another person (one we never properly meet) that its difficult to invest in them. (It doesnt help that the bombshell TV interview irresistibly recalls the “Simpsons” episode where Bart taunts Lisa with the video where “you can actually pinpoint the second when [Ralphs] heart rips in half”. This cautiousness also extends to the films themes. Whereas there is a racial and a class element to Junes paranoia, as an unstable, vulnerable white woman from a wealthy background living alone and friendless in a predominantly black, poor, socially volatile neighborhood, the film shies away from a real exploration of that provocative situation. And even her creative struggle is undermined: “The Wolf Hour” takes the notion of literary blockage excessively seriously — as it does everything: The portrayal of the classic 70s feminist as a being almost defined by her stringent humorlessness is something of a cliché by now. But it also implies that maybe all June really needed to get those juices flowing again was some halfway decent sex, which comes courtesy of an unusually sensitive gigolo, beautifully played by a soft-bodied, gentle-eyed Emory Cohen. “The Wolf Hour” touches on explosive ideas of racism, sexism, guilt, delusion and urban isolation, so its frustrating that, like the gun June obtains at one point, they are handled only warily and then shoved under the floorboards. The general consensus is that the other major 1977 heatwave-set New York City film, Spike Lees sprawling “Summer of Sam, ” bit off more than it could chew. But “The Wolf Hour” tries to make a five-course meal of the merest morsel, leaving Watts, on eminently watchable form, to grind her teeth on a role far less meaty than it ought to have been. The BAFTA film awards have kicked off in London, with Graham Norton hosting this year at the Royal Albert Hall. The awards will be broadcast on the BBC in the United Kingdom and at 5 p. m. PT on BBC America. “Joker” topped the nominations with 11 nods, while “Once Upon a Time in Hollywood, ” and. The 73rd British Academy of Film and Televisions Film Awards are due to kick off at around 18. 45 GMT (10. 45 PT. The ceremony, which takes place at Londons Royal Albert Hall, is hosted by Graham Norton for the first time. Best known as the host of the UKs leading late-night chatshow, broadcast on Friday nights. Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong. Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sundays NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event. This year proved no exception. Overall ticket sales for the weekend. Ahead of tonights BAFTA Awards in London, Amy Gustin and Deena Wallace, co-directors of the British Independent Film Awards (BIFA) discuss how they shook up their awards voting mechanisms to become more inclusive of a wider variety of films and filmmakers. BIFA is different from other awards bodies in its process as well as its. A wide range of Scandinavian films, including the politically-charged Danish drama “Shorta, ” the supernatural Icelandic drama “Lamb” with Noomi Rapace, and the Finnish-Iranian refugee tale “Any Day Now, were some of the highlights at this years Nordic Film Market. They were presented, along with 13 other films in post-production, as part of the Work-in-Progress section. Powered by Netflix, Amazon Prime Video, Apple TV Plus and Disney Plus, among others, the subscription video on demand market is booming. But in five years from now, it will have contracted with no single service fully dominating the landscape, according to the 7th Nostradamus Report, which forecasts trends in film and TV. The thorough.
Upcoming movie trailers 2019 shows stranger things Get your title right, that's a TV show B. An oscar nom is a guarentee from what is saw. God we get it your looking for your son you don't have to tell us 50 times. Photo credit: Automatik; Bradley Pilz Productions; HanWay Films The apocalyptic anxiety of our present sociopolitical moment is the not-so-hidden undergirding of Alistair Banks Griffins psychodrama “The Wolf Hour, ” in which Naomi Watts plays June Leigh, a fearful author whos isolated herself from the outside world by holing up in her fifth-floor South Bronx walk-up. But its not 2019, when even the most dedicated of hermits can feel connected to others through the Internet. Griffins analog setting is the summer of 1977, when New Yorks then-notorious version of urban decay had segments of the city ready to ignite, while a steady stream of news about “The. 44 Caliber Killer” — a female-targeting serial murderer soon to be known as “Son of Sam” — had single women on edge, especially those with long, dark hair, like Junes. But despite a typically committed performance by Watts, once again showing her special affinity for hard-edged sufferers grinding out a way to survive, and an aura of the familiar and off-putting (reminiscent of Griffins 2010 indie debut “Two Gates of Sleep”) “The Wolf Hour” struggles to justify its increasingly grating moodiness. It doesnt work up much steam, neither as a single-location paranoid thriller nor as an especially revealing character study of self-imposed, jittery confinement. Also Read: Game of Thrones' With Naomi Watts Prequel on Ice, What's the Future of HBO's Planned Universe? Initially, though, the sickly green, Fincher-ish tinge to Khalid Mohtasebs cinematography — which captures the thin film of sweat on Watts and the pungent layer of neglect over everything in Junes apartment (formerly her grandmothers, the previous tenant) — and the ambient sound design hold the tense promise of an intriguing dive into a worried mind. Outside, the Bronx rattles, moans and yells, while inside, in dim light, we can hear the buzz of flies, but more urgently, to Junes fragile sensibility, the sinister crackle of her intercom, as if someone is desperate to get inside her building. Whenever she tries to answer it, though, no one seems to be there, just distortion and faint talking. Is this a prank? Or is she imagining it? Junes interactions with detectable humans, on the other hand, amount to prickly exchanges built around necessity. She can shove money under the door when rent is due, but when the grocery store sends a new delivery kid, Freddie (Kelvin Harrison, Jr., “Assassination Nation”) her guard goes up, especially when he asks if he can use her bathroom. Shes not crazy about having to accept her sister Margot (Jennifer Ehle) as a concerned visitor, but June begrudgingly allows it, even letting slide cracks like Margots after some helpful cleaning, “I keep expecting to find a dead body. ” Also Read: Andrew Lincoln to Star Opposite Naomi Watts in 'Penguin Bloom' Sibling rivalry rears its head, though, after their conversation discloses that Margot, also a writer, never had success the way June did with her counter-culture smash novel “The Patriarch, ” hardback copies of which litter the apartment. I wish we didnt have to learn about the books impact — including a key piece of psychological information — from a TV interview clip that awkwardly recreates a late-60s interview show with an imperiously judgmental William F. Buckley-type (Brennan Brown, overdoing it. Its a heavy-handed bit of shoved-in exposition that disrupts the already-wearying aura of housebound anxiety in the movies Hitchcockian shout-outs and “Repulsion”-like set-up. Then again, regarding the latter reference, perhaps one of Griffins goals was to refashion Roman Polanskis horror classic about a delicate beautys corrosive fear of sexually liberated society into a more timely scenario that adds political existential dread and the historical reality of sexual violence as thematic hues. When June finally gets a cop (Jeremy Bobb, “Escape at Dannemora”) to make a house call about the menacing buzzing, it devolves into a believably danger-filled exchange surrounding male institutional power. Later, the appearance of a want-ad-solicited “date” named Billy (an effective Emory Cohen) a self-proclaimed “midnight cowboy, ” carries its own mini-rollercoaster of suspicion, sensitivity and worry. Also Read: Naomi Watts on Remaining Locked Up in 'The Wolf Hour' Video) Eventually, though, when the notorious blackout of that New York summer factors into the finale, theres little sense that the movies external certainties and interior turbulence have fused into anything meaningful. Again, theres admirable visceral oomph to Griffins final push as that infamous nights destructiveness becomes impossible for June to ignore, but what were left with as an emotional climax is lacking and, one could argue, predictable considering the protagonists profession. There will surely be buzz surrounding Watts, who conveys utter dedication to Junes predicament even as the movie around her betrays a stylistically engineered quality. “The Wolf Hour” is, in a sense, almost too smart for its own good: savvy about the movie language of cooped-up constructs, aesthetically bold in look and sound, and content to let a great actor lead the way. But even lives like Junes — brilliant but trapped in their neuroticism — need to feel alive onscreen, not just coldly examined, and ultimately “The Wolf Hour” feels more like an exercise in the psychology of unease than a full-throttle leap into it. 15 Buzziest Sundance Movies: From Shia LaBeouf's 'Honey Boy' to 'Leaving Neverland' Photos) Sundance 2019: Film fanatics will brave the cold to see these hot films in Park City, Utah Park City, Utah, is about to be flush with cash. and we're not talking about buying apres ski gear. Here are the most buzzed-about titles of the 2019 Sundance Film Festival. (Note: some already have distributors.
Cage will go down as a great actor but man. these role choices he makes now
La hora del mensaje con ezequiel molina. Is this based on some real story. What I love is that this doesn't feel like a tv movie, it feels cinematic. You can tell that Netflix put in ALL the money for this. Tomris Laffly December 6, 2019 Playing a self-banished, agoraphobic recluse, Naomi Watts delivers a disquieting, mostly one-woman performance in writer/director Alistair Banks Griffin s “The Wolf Hour. ” Its a drab vision of mental struggle that owes all of its limited draw to its lead—you cant imagine spending those 90 or so grimy and claustrophobic minutes with anyone other than Watts. But then again, if its a sense of nightmarish, escalating disorientation you are after, you could instead be watching the surreal “ Mulholland Drive, ” with proven proficiency in tapping into Watts appealing dark side. There are times Griffin nears that raw madness (with a little “ The Shining ” mixed in for good measure) once again, entirely thanks to Watts dedication. But on the whole, his indecisive “The Wolf Hour” tick-tocks its way to an underwhelming finale. And when it gets there, the most shocking realization youll have is how forgettable an affair it all has been. Advertisement Its a shame, because Griffin sets his neo-noir-adjacent psychological thriller in one of the most cinematically juicy eras and locales in American history. We are in the summer of 1977, cramped inside a grubby apartment in a South Bronx walkup that has seen better days. Outside, the. 44 caliber killer, Son of Sam, is looming large, the heat is sweltering and somewhere in the city, Travis Bickle is still driving his taxi while the infamous blackout of July 77 bides its time. But we dont see any of that however, and settle instead for a diminutive microcosm of the period within the confines of writer June Leighs (Watts) apartment, a roomy-ish (by New York standards) living quarter with a view, which used to belong to the authors grandmother. Mercifully, Kaet McAnneny s production design does a fine enough job injecting this mostly indoors-set picture with a real sense of time and place. Amid all the piles of books, dusty nooks and crannies and a mucky kitchen, June watches this “Drop Dead”-era world go by behind her dirt-encrusted windows. Police sirens are constantly within her earshot and the Twin Towers are still erect in her eyesight. If only this once-celebrated counterculture figure could just step outside. But she had decided to lock herself in and put a stop to the troubles shes caused after one of her successful books destroyed her family. If she never leaves, June figures, she cant do any further harm. But what if someone is trying to hurt her instead? There are certainly enough clues, the chief of them being an unknown someone incessantly buzzing her intercom to never answer back. We never really know how long June has been living like this, though the mountainous trash bags scattered in her apartment (which you can almost smell) and Watts sweaty breathlessness offer clues that its been a while, to say the least. Every now and then, other people walk in and out of the story to release us from mind-numbing monotony, like a concerned but supportive sister (played amicably by Jennifer Ehle) an opportunistic delivery guy/hustler (the always memorable rising star Kelvin Harrison Jr. a creepy cop and a self-professed midnight cowboy ( Emory Cohen of “ Brooklyn ”) who helps amplify the tension when boredom starts to take over. The finest (and predictably, the most distressing) segment of “The Wolf Hour” arrives when lights get wiped out across the city. Griffin plays the well-known, violent and chaotic beats of the historical occurrence with impressive believability, aided by Khalid Mohtaseb s cinematography that accentuates shadows and light flickers with gritty texture. Yet Griffins film never really gets anywhere revelatory. Worse, it doesnt seem to want to. Like the sheltered loner at its center, “The Wolf Hour” feels jailed amongst a string of half-realized ideas, too intimidated to step outside and tackle them head-on. Reveal Comments comments powered by.
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One of two films to premiere at Sundance Film Festival this year that starred both Naomi Watts and Kelvin Harrison Jr. (along with Luce) The Wolf Hour finds the stars in a different kind of psychological thriller mode. Directed and written by Alistair Banks Griffin ( Two Gates of Sleep) the film is set during the 1977 blackout in NYC as were trapped in the apartment of Watts character, who must face her own demons while also fearing the outside world. Ahead of a release later this year, the first trailer and poster have now arrived for the film also starring Jennifer Ehle and Emory Cohen. Nick Allen said in his review for, “Naomi Watts further proves that shes one of the best with “The Wolf Hour, ” a largely one-woman show directed by Alistair Banks Griffin that takes place in a sweaty, anxious New York City during the Summer of Sam. Watts is a major factor to the charisma of this movie, expressing her characters isolation and anxiety; she makes each mysterious buzz on her apartment all the more nervous, and her conditions are the more visceral. ” See the trailer, poster, and recent conversion with the filmmakers below. The Wolf Hour is a tense Hitchcockian thriller with powerhouse performances led by Academy Award nominee Naomi Watts. Once a celebrated counterculture figure, June (Watts) now lives alone, having all but cut herself off from the outside world. Looking down from her fifth floor South Bronx apartment, she watches the escalating unrest in a city on a knife-edge during the notorious ‘Summer of Sam. June retreats further into isolation whilst her city becomes a pressure cooker, ready to explode in the incendiary 1977 blackout riots. Thinking herself safe from the violence in the streets, Junes weaknesses are exploited by an unseen tormentor, and her insular personal universe begins to unravel. The Wolf Hour will arrive later this year.
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La hora del miedo pelicula. Love this SONG. 🤩🤩😘😄😍. Had to happen some time when they make a what if super heros get old movie. Average rating 3. 74 154 ratings 39 reviews, Start your review of The Wolf Hour The Wolf Hour presents an interesting take on modern day Africa, particularly on Uganda with its many problems. The author has obviously travelled widely and she describes the African bush perfectly. The story is good as long as you can accept the main premise that Tess would have been allowed to go on the trip to the rebel camp in the first place. After that is allowed the rest is predictable and everything that one would expect to happen to a young, white female in a Ugandan rebel camp happens... Tess Lowell was both fascinated and somewhat repulsed as she watched the ritual. In Uganda to help the children who had been abducted and coerced into fighting for the rebel forces, Tess had a PhD in psychology and was sure it would give her certain insights into the culture of Africa. But when Tess joined soldiers, against their express wishes, to travel deep into the African bush and across the Congolese border to meet the rebel leader for peace talks, she had no idea how big the mistake was... The Wolf Hour is the second novel by Australian author, Sarah Myles. Its not uncommon for families with adult children to be living remote from each other. Award winning photographer, Neil Lovell leads his fairly ordinary life in Melbourne with his wife, Leigh, a medical practitioner. Their son Stephen runs a sporting goods business in Cape Town with his South African school mate, Matt Reba. And their daughter Tessa, a psychology PhD, is in Gulu, Uganda, doing research on PTSD. That location... * he Wolf Hour: the time we come to face-to-face with ourselves. Ultimately, The Wolf Hour, penned by Australian novelist Sarah Myles, is a novel about how we view ourselves, especially in a time of great stress and danger. The Wolf Hour uses a Melbourne family as vehicle to examine family relations and the pressures involved when one family member goes missing in a far away land. For the Lowell family of Melbourne, when daughter Tessa goes missing in the thick... The Wolf Hour is the second book by Australian author, Sarah Myles. When I began this book, I wasn't too sure of what to expect as it's not my usual genre and I had not come across Sarah Myles before. The Wolf Hour turned out to be a well researched, intriguing look at contemporary life in Africa. Africa itself became a character of the story. Sarah doesnt hold back as she describes the beauty of the land and contrasts it with the harsh reality of daily life with political strife. The... The Wolf Hour proved itself an incredibly thought provoking read, although in the end, not solely for the reasons I had expected. I was anticipating a bit of tough read, in terms of digging deep into a topic such as child soldiers – and it was – but I was not expecting to be affected by the family drama aspect as much. The perspective of Tessas parents really reached in and squeezed my heart and they quickly became my favourite characters. Overall though, I found myself racing through The Wolf... I have just finished 'the Wolf Hour' by Sarah Myles, I was lucky enough to receive a copy from Allen&Unwin. What a super read I finished it in super quick time. Tessa is working in Uganda involved heavily with child soldiers, she manages to persuade her superior that she should be included in a delegation travelling over the Congolese border. She is abducted and ultimately rescued by her brother Stephen who is sent by her Australian parents to rescue her. So suspenseful, with a very... A fairly quick read. Fairly compelling. I've taken a bit of an interest in children abducted and brutalised to become soldiers in Kony's LRA so the main protagonist annoyed me a bit, at first, as she was setting it up to put herself in harms way. Of course, she then was faced with some fairly predictable repercussions. This struck me as fairly reasonable for a YA audience, I'm not sure that is the book's original target audience. Being a quick read it satisfied my curiosity about it without... This book is somewhat stilted. There are some sloppy editing mistakes that crashed back to reality, like Tessa's dad heating the oil in the pan twice. Mistakes like that aren't really important, they don't impede the events but they take you out of your imagination & back into reality. This is a big, sensitive subject this author has chosen to take on but from the first 100 pages it seems it is mostly gloss. And what mother says out loud that she thinks something is wrong with both of her... I knew that I had to read this as soon as soon as I read the description. I absolutely love books set anywhere in Africa and Im pretty certain Id never read one set in Uganda before. I was really interested to get a glimpse into that country and this had the promise of potentially being quite a frightening read, given the main character is kidnapped by rebels. Tessa Lowell is 30, from Melbourne and shes in Uganda researching the effects of PTSD on child soldiers kidnapped and turned into... Australian author Sarah Myles has conjured up a thriller that races across Africa, while unpicking the relationships between two adult children, and their Australian based parents. Siblings Tessa and Stephen are both in Africa, she working with child soldiers in Uganda, he in Capetown living on the very edge of a legal business, which involves gun running and more. When rebels kidnap Tessa in a remote and dangerous location her parents Leigh and Neil begin a disintegration in their relationship... Delving into family politics, neocolonialism, civil war and forgiveness, The Wolf Hour has no interest in patronising its readers with tidy solutions. The novel is diligently researched and breathtakingly descriptive, yet packs a punch rarely seen in contemporary literary fiction. The Wolf Hour moves quickly and raises fundamental human questions which play out on a global political scale and at the heart of one family; making it hard to put down while reading and impossible to forget once its... The Wolf Hour is set in Africa and Australia. Tessa has a PhD in Psychology and is in Uganda researching the rehabilitation of children who are suffering from PTSD. All of the children and young adults had been abducted from their villages and compelled to fight in armies sometimes against their own villagers before being rescued and assisted to reconnect with their remaining relatives. Tessas brother, Stephen operates a business in Cape Town and had cautioned Tessa when they caught up before... The Wolf Hour is Sarah Myles second novel. I read and admired Transplanted (2002) not long after it was released so I retrieved my reading journal – and yes, there are some common themes with this latest book. Myles is interested in the dark side of human nature, and how society contributes to violence. What I wasnt expecting in The Wolf Hour was the way tolerant liberal parenting was exposed as flawed and irresponsible. The story begins in Uganda where 30-year-old Tessa Lowell is researching... The Wolf Hour by Sarah Myles was a book I normally wouldnt pick up, but because it was by an Aussie author and Aussie characters it made me interested. I really enjoyed this read, its about a lady called Tessa with a PhD in psychology who goes to Africa to write a paper on the young children who are made to be soldiers and about their rehabilitation. Whats happened to these young kids has shocked Tessa and she wants to help them, but some cant be. Something goes wrong and Tessa is abducted... I loved the descriptive and emotive language throughout this novel, it created a rich visualisation of the setting, characters, and themes. Myles explored some pretty heavy topics well, giving a good insight into the reality of civil conflict and child soldiers. Whilst I'm not informed enough to comment on the accuracy of the setting, I thought she did a great job of delving into the psyche of child soldiers. I found this element of the story more captivating than the actual plot and probably... The Wolf Hour opens in 2008, with 30 year old Tessa Lowell, an idealistic PhD student who has been studying the impact of PTSD on child soldiers in Uganda for several months. Tessa works with Dominic Oculi, a former abductee and child soldier himself, now rehabilitated and working to negotiate a peace deal with the Lords Resistance Army (LRA) and its volatile leader Joseph Kony. When Tessa insists, against Dominics advice, that she tag along with his peace delegation, she is kidnapped over a... "The Wolf Hour" by Sarah Myles is quite the deep novel. Based on the troubles within Uganda and the Congo and the fights between the LRA (Lord's Resistance Army) and the government and the implication of that on the Acholi people of northern Uganda, South Sudan, the Central African Republic, and the Democratic Republic of the Congo. Tessa, an Australian psychology graduate (with PhD) is over in Uganda to research the psychology of the child soldiers rescued from the resistance and the PTSD... The Wolf Hour by Sarah Myles Thirty year old Tessa Lowell is captured by a group of rebels in the African Bush and this sets off a chain of events when her parents in Australia are notified of her disappearance. Tourists visiting Africa are warned of the dangers of travelling in remote areas but Tessa is a doctor of psychology who has been working in Uganda to research the effects of PTSD and war on child soldiers. She joined a delegation travelling across the Congolese border, for peace talks... I received The Wolf Hour by Sarah Myles from Beauty and Lace Book Club to read and do an honest Review. The Wolf Hour by Sarah Myles is a captivating read. War torn Uganda is not a place for the lighthearted and this book delves into the brutal lifestyle and what lengths Ugandans go to to survive. It has been widely reported in the Media about the child soldiers that fight in African Rebel Forces and we follow Tessa, an Australian who is in Uganda working with these children and studying PTSD on... The Wolf Hour is a solid 3. 5 's Reading the blurb/ reviews on this book I went in with high expectations that really weren't met, I think if I was a 40year + mum I would have liked it a lot more and understood the whole family undertone this book is centered on, but as it is I don't have any kids of my own I couldn't relate to some of the main characters. Other characters like Dominic, Tessa and Steven are very 2 dimensional. I think the way the story is written doesn't show an in depth view of... I love a good thriller, and this one definitely didnt disappoint. Its gripping, suspenseful and refreshingly unique. The plot is fantastic and it touches on some big political issues: child soldiers, genocide, corruption and the illegal arms trade to name a few. Myles portrayal of the plight of the child soldiers and their allegiance to their leader, Joseph Kony, is very believable. Tessa, Stephen and their parents, Leigh and Neil, have a strained relationship and the tensions escalate as the... This is an extraordinary tale of brother and sister Stephen and Tessa Lowell. Born in Australia, they have grown up with a father who filmed documentaries on the wildlife and natural wonders of Africa. As adults, Stephen has helped a long time friend build their family business and enjoys the ease of skirting the law and bending the rules in Africa. Tessa is studying for a PhD in Psychology and is based in Uganda, learning of the affects of warfare on Africas child soldiers. When Tessa... An interesting read incorporating the geography, politics and natural environment of Africa. While studying the rehabilitation of child soldiers who had been taken from their families to fight during the civil wars in Uganda and the Congo, Tessa is kidnapped. Her brother is sent to rescue her as he was working in South Africa. Complications ensue as the author builds tension in the fast paced rescue attempt. The complexity of thoughts and emotions of one child soldier, Francis, is treated at... I found this book to be something quite unique as it was set amongst the conflict in Uganda. I liked that I learnt about the environment and culture over there as I read the story. I found that the story developed at a consistent pace which made it easy to settle into the novel. Myles did a fantastic job of setting the scene, her descriptive language made it easy for me to picture the events as they unfolded and be transported to to the setting. However, the story ended more abruptly than I... My view of this book is Meh, really I just wasn't impressed, the writing was average the plot was average... I definitely didn't find it even slightly gripping, I did the thing where I read to the end as I don't like to leave a book half way through and thinking it may get better. it didn't. Debating between two and one star really. I'm really not sure on what basis this book gets good reviews to be honest, it's definitely not good literature. A beautifully written novel. The author has taken a very complicated political situation in Uganda and presented both sides of the conflict through her various characters. This novel has been meticulously research, and written in such a way, that you can really understand the dilemma faced by the people of Uganda. Not the story line I would normally read, but took a punt on a new Australian author for me. It paid time! I really loved this book. While reading it I could see the characters playing out the story in my mind, like a movie. Will definitely be watching out for more by Sarah Myles. Would love to see it come onto the screen too. This was a gripping story if you can swallow the fact that she was so foolhardy as to go on the trip to the rebel camp in the first place and if you can also swallow the fact that her brother found her so easily when no one else in the world can find the rebels. The characters were well developed but the story ended up in the air without anything really being resolved. Could have been better. I loved this book. The characters are well written and I felt I wanted to know more about them, I cared what happened. There is obviously an enourmous amount of personal experience and research that has gone into the writing and it's evident in the believability of the characters and situations. A sequel would be well recieved.
Me encanta demasiado 💙💙💙💙💙💙💙💙💙. GO JENNISTON. GOD BLESS EVERYTHING YOU DO. 💞G'LUCK👍. Confront demons? Mysterious force? Was this the same movie I saw? I really didn't see any of that at all. The ending came and I was like. Really? That's it, eh? The supporting characters didn't really move the story along for me. They seemed meaningless. Ok this actually looks really fun. The soundtrack pleas. 
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The Wolf's Hour Author Robert R. McCammon Country United States Language English Genre War, horror, werewolf fiction Publisher Grafton Books Publication date 12 October 1989 Media type Print ( Hardback & Paperback) Pages 480 (hardback edition) ISBN 0-246-13456-9 (hardback edition) OCLC 59782304 The Wolf's Hour is a 1989 World War II horror novel by American writer Robert R. McCammon. It is the story of a British secret agent who goes behind German lines to stop a secret weapon from being launched against the Allies. Ths agent is a werewolf. The book also includes some of the agent's history, namely how he became a werewolf. Plot summary [ edit] Michael Gallatin, a werewolf, is a British emigrant that is a top spy for Britain during World War II. In 1942, he overtakes Rommel in North Africa and foils the Nazis plan to control the Suez Canal. This vital waterway would ensure that Nazi Germany could choke off Allied shipping and continue their march east into Russia. In 1944, the war still rages on and the Nazis are forced toward Berlin by the Soviets, but Western Europe is still in Hitlers grip. Gallatin, in seclusion since 1942, is called back for a vital mission: the first part of the mission has him parachuting into Nazi-occupied France to retrieve vital information from an informant named Adam. Adam is in Paris under tight Gestapo security (the Nazis official secret police. Gallatin contacts Adam through a Nazi deserter called “Mouse”. He slips a note in Adams pocket that informs Adam to go to an opera at the third act, so Gallatin can receive the information. The Gestapo had followed Adam and shoot him in the head just after the information was disclosed to Michael. Michael escapes by faking suicide using cyanide; he does not swallow the pill. This fake-out allots him time to turn into a werewolf and he kills the fleeing Gestapo. Gallatin and Mouse must make their way east to Berlin, the heart of the Nazis lair, in an attempt to foil a top-secret Nazi plan, “Iron Fist”. External links [ edit] Page at Internet Speculative Fiction Database.
Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates. A movie I'll wait for. La hora del moro tv show. Title: The Wolf Hour Release: 2019 Rating: 7. 4 Language: English Country: UK, USA Runtime: 99 Genre: Drama, Thriller, Mystery Synopsis June was once a known counter-culture figure, but that was a decade ago. She now lives alone in her South Bronx apartment, having all but cut herself off from the outside world. It's the notorious "Summer of Sam" and June only has to look out of her window to see the violence escalating with the brutal summer heat. The city is on a knife's edge, a pressure-cooker about to explode into the incendiary 1977 New York blackout riots. Director: Writer: Alistair Banks Griffin Actors.
La hora del miedo el. Elmo: Oh Mister noooooooodle. La hora del miedo. 3 nominations. See more awards » Edit Storyline June was once a known counter-culture figure, but that was a decade ago. She now lives alone in her South Bronx apartment, having all but cut herself off from the outside world. It's the notorious "Summer of Sam" and June only has to look out of her window to see the violence escalating with the brutal summer heat. The city is on a knife's edge, a pressure-cooker about to explode into the incendiary 1977 New York blackout riots. Written by Anonymous Plot Summary, Add Synopsis Details Release Date: 6 December 2019 (USA) See more » Also Known As: The Wolf Hour Company Credits Technical Specs See full technical specs » Did You Know? Trivia Naomi Watts and Kelvin Harrison, Jr. starred together in Luce. See more ».
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; Liked it: 905 Vote; abstract: The Wolf Hour is a movie starring Jennifer Ehle, Naomi Watts, and Emory Cohen. June was once a known counter-culture figure, but that was a decade ago. She now lives alone in her South Bronx apartment, having all but cut herself off; UK; runtime: 99 minutes; 2019.
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