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Stars Branka Katic; directed by Sally Potter; Sally Potter; Release year 2020. By Some say this poem represents the quintessential American expression of free will, but many get its meaning wrong. Frost's oft-quoted poem was published in his poetry collection, Maintain Interval (1916. Both paths were actually equally worn, the author planned to recreate the scene for others later with a slight twist: He will claim that he took the less-traveled road. Read more. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I marked the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference. Create a library and add your favorite stories. Get started by clicking the "Add" button. Add The Road Not Taken to your own personal library. Add The Road Not Taken to your own personal library.

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The roads not taken movie 2020. The road not taken in hindi. May Be My Favorite Bruce Hornsby & The Range Makes Me Think Of A Lost Love. Hi Rebecca. A fellow university professor here (Literature and Creative Writing) who also loves to work through this poem with my students. I loved what you did here - the way you explained this most famous poem both technically, and philosophically. I loved the way you offered three possible interpretations of it. I was a bit curious throughout the video whether you knew what Frost actually said about this poem, and of course you did. Your explanation of a third possible explanation was related to Frost's admission that he wrote the poem for his friend, the British poet Edward Thomas. However, without getting into that, as a poet, writer, songwriter, playwright, I do not want my audience to only know why I wrote something, or what I meant by what I wrote. I want my audience to take my work and turn it into something that they can use. I want them to personalize my words, my ideas, maybe even my style, so that they might be specifically useful to them, the reader. In truth, it doesn't matter why Frost wrote the poem, or what he inevitably meant by it. What matters is what the reader takes from it, which is ultimately, very personal. You allowed that to happen here, beautifully.

My question is How can someone afford all that house without going out of house for work. At Zilog I was figuring out how to cope with job burnout. And one of my conclusions was that I needed to pick one job not two. I had to decide what I wanted to do with my career – go back to ESL, try to work for the Customer, or stay at Zilog? While it may seem like an easy choice, few people who love technology and who work on black projects leave. These projects are incredibly seductive. Let me explain why. National Efforts In World War II the U. S. put its resources behind a technical project that dwarfed anything every built – the atomic bomb. From a standing start in 1942 the U. scaled up the production of U-235 and plutonium from micrograms to tens of kilograms by 1945. We built new cities in Hanford, Oak Ridge and Los Alamos and put 130, 000 people to work on the project. During the cold war, the U. government kept up the pace. Hundreds of thousands of people worked on developing strategic weapons, bombers, our ICBM and SLBM missile programs, and the Apollo moon program. These programs dwarfed the size that any single commercial company could do by itself. They were national efforts of hundreds of companies employing 10s or 100s of thousands of engineers. ESL – National Technical Means of Verification The project I was working on at ESL fit this category. The 1970s and ‘80s were the endgame of the cold war, and the U. military realized that our advantage over the Soviet Union was in silicon, software and systems. These technologies which allowed the U. to build sensors, stealth and smart weapons previously thought impossible or impractical, would give us a major military advantage. Building these systems required resources way beyond the scope of a single company. Imagine coming up with an idea that could work only if you had your own semiconductor fab and could dedicate its output to make specialized chips just for you. Then imagine youd have to get some rockets and put this reconnaissance system in space – no, make that several rockets. No one laughed when ESL proposed this class of project to “the customer. ” If you love technology, these projects are hard to walk away from. The Road Not Taken At first, I thought my choice was this: working on great technology at ESL or continuing to work on these toy-like microprocessors at Zilog. But the more I thought about it, the choice wasnt about the hardware or systems. There was something about the energy and passion Zilogs customers had as they kept doing the most unexpected things with our products. While I couldnt articulate at it at the time (it would take another 25 years) at ESL the company and the customer had a known problem and were executing to building a known solution, with a set of desired specifications and PERT charts telling them what they needed to do and in what order to achieve the goal. There was a ton of engineering innovation and coordination along the way, and the project could have failed at any point. But the insight and creativity occurred at the projects beginning when the problem and solution was first being defined. Given where I was in the hierarchy, I calculated that the odds of me being in on those decisions didnt look high – ever. In contrast, my customers at Zilog had nothing more than a set of visions, guesses and hallucinations about their customers; who they were, what they wanted to achieve and what was the right path to get there. At these startups both the problem and solution were unknown. Startups were not just smaller versions of a large company, they were about invention, innovation and iteration – of business model, product, customers and on and on. Startups were doing discovery of the problem and solution in real-time. I could see myself doing that – soon. Unbeknownst to me, I was facing a choice between becoming an entrepreneur or working for a large company. I chose a path and never looked back. —— Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Robert Frost – The Road Not Taken – 1916 Lessons Learned There is no “right” choice for a career Theres only the choice you make Dont let a “career” just happen to you A startup is not a smaller version of a large company Filed under: Customer Development, ESL, Family/Career/Culture, Zilog, Tagged: Cold War, ESL, Steve Blank.

This was the saddest book I have ever read, this does not really depict that so just a warning. The roads not taken trailer español. And both that morning equally lay.

The road not taken summary. Choose your own path in life,make your own way, live your journey... Waaah!👌. He saw her from the bottom of the stairs Before she saw him. She was starting down, Looking back over her shoulder at some fear. She took a doubtful step and then undid it To raise herself and look again. He spoke Advancing toward her: What is it you see From up there always- for I want to know. ' She turned and sank upon her skirts at that, And her face changed from terrified to dull. He said to gain time: What is it you see, Mounting until she cowered under him. 'I will find out now- you must tell me, dear. ' She, in her place, refused him any help With the least stiffening of her neck and silence. She let him look, sure that he wouldn't see, Blind creature; and awhile he didn't see. But at last he murmured, Oh. and again, Oh. ' What is it- what. she said. 'Just that I see. ' You don't. she challenged. 'Tell me what it is. ' The wonder is I didn't see at once. I never noticed it from here before. I must be wonted to it- that's the reason. The little graveyard where my people are! So small the window frames the whole of it. Not so much larger than a bedroom, is it? There are three stones of slate and one of marble, Broad-shouldered little slabs there in the sunlight On the sidehill. We haven't to mind those. But I understand: it is not the stones, But the child's mound- Don't, don't, don't, don't. she cried. She withdrew shrinking from beneath his arm That rested on the bannister, and slid downstairs; And turned on him with such a daunting look, He said twice over before he knew himself: Can't a man speak of his own child he's lost? 'Not you! Oh, where's my hat? Oh, I don't need it! I must get out of here. I must get air. I don't know rightly whether any man can. ' Amy! Don't go to someone else this time. Listen to me. I won't come down the stairs. ' He sat and fixed his chin between his fists. 'There's something I should like to ask you, dear. ' You don't know how to ask it. ' Help me, then. ' Her fingers moved the latch for all reply. 'My words are nearly always an offense. I don't know how to speak of anything So as to please you. But I might be taught I should suppose. I can't say I see how. A man must partly give up being a man With women-folk. We could have some arrangement By which I'd bind myself to keep hands off Anything special you're a-mind to name. Though I don't like such things 'twixt those that love. Two that don't love can't live together without them. But two that do can't live together with them. ' She moved the latch a little. 'Don't- don't go. Don't carry it to someone else this time. Tell me about it if it's something human. Let me into your grief. I'm not so much Unlike other folks as your standing there Apart would make me out. Give me my chance. I do think, though, you overdo it a little. What was it brought you up to think it the thing To take your mother- loss of a first child So inconsolably- in the face of love. You'd think his memory might be satisfied- There you go sneering now! 'I'm not, I'm not! You make me angry. I'll come down to you. God, what a woman! And it's come to this, A man can't speak of his own child that's dead. ' You can't because you don't know how to speak. If you had any feelings, you that dug With your own hand- how could you. his little grave; I saw you from that very window there, Making the gravel leap and leap in air, Leap up, like that, like that, and land so lightly And roll back down the mound beside the hole. I thought, Who is that man? I didn't know you. And I crept down the stairs and up the stairs To look again, and still your spade kept lifting. Then you came in. I heard your rumbling voice Out in the kitchen, and I don't know why, But I went near to see with my own eyes. You could sit there with the stains on your shoes Of the fresh earth from your own baby's grave And talk about your everyday concerns. You had stood the spade up against the wall Outside there in the entry, for I saw it. ' I shall laugh the worst laugh I ever laughed. I'm cursed. God, if I don't believe I'm cursed. ' I can repeat the very words you were saying. "Three foggy mornings and one rainy day Will rot the best birch fence a man can build. " Think of it, talk like that at such a time! What had how long it takes a birch to rot To do with what was in the darkened parlor. You couldn't care! The nearest friends can go With anyone to death, comes so far short They might as well not try to go at all. No, from the time when one is sick to death, One is alone, and he dies more alone. Friends make pretense of following to the grave, But before one is in it, their minds are turned And making the best of their way back to life And living people, and things they understand. But the world's evil. I won't have grief so If I can change it. Oh, I won't, I won't! 'There, you have said it all and you feel better. You won't go now. You're crying. Close the door. The heart's gone out of it: why keep it up. Amy! There's someone coming down the road! 'You- oh, you think the talk is all. I must go- Somewhere out of this house. How can I make you- If- you- do. She was opening the door wider. 'Where do you mean to go? First tell me that. I'll follow and bring you back by force. I will.

The Road Not Taken Introduction Even if you haven't yet read "The Road Not Taken. it will probably have a familiar ring when you do – it's one of the most popular poems by one of the most famous American writers of the twentieth century, Robert Frost. Along with Frost's poem " Stopping by Woods on a Snowy Evening. it's probably one of the most taught poems in American schools. First published in Frost's collection Mountain Interval in 1916, almost a century later "The Road Not Taken" is still quoted left and right by inspirational speakers, writers, commercials, and everyday people. We could go on and on about how famous this poem is, but, since it is famous, you probably already know that. What you might not know is that this poem may not be as simple and uplifting as it seems. While "The Road Not Taken" is often read as a resounding nonconformist's credo, the poem isn't so sure about its message. In fact, sometimes it flat out contradicts itself. But the possibility that the poem has multiple meanings doesn't mean that it's not worthy of its popularity. Actually, the poem's ambiguity improves it. Read closely, this poem is more than popular culture has made it out to be. It's more than a call to go your own way; it's a reflection on life's hard choices and unknowns. What is The Road Not Taken About and Why Should I Care? Most people have been faced with a fork in an actual road or path, and not been sure which path to go down. Of course, today, we can whip out a GPS or cell phone and figure out which is the correct path. But if we're beyond the reach of satellites, we just make a choice, unaided by technology. We might pick the road that gets us where we want to go, or one that takes us somewhere new, but either way, the road we choose takes us to where we are. Just like trying to pick a path when we're driving or walking, we've all had to choose from different paths in life: which job to take, which college to go to, which girl or boy to ask to homecoming – the list of life's choices is endless. And for every metaphorical road we take in life, there is a road not taken – the club we didn't join, the class we didn't take, the words we didn't say. One of the big questions we face is whether or not to take the well-beaten, typical path. Is that the best choice, or should we be non-conformists and take the less-traveled route? Years into the future, after making our decision, how will we feel about the path we've chosen? Robert Frost 's "The Road Not Taken" is about these quandaries, present in every person's life. A lot of people think this poem is encouraging us to take the road that's less traveled. And while it's easy to fall into that well-beaten path of analysis, it's not exactly accurate. So make sure that when you read this poem, you take your own road, whether it's the road less traveled or not.

The roads not taken trailer deutsch. The roads not taken movie javier bardem. Essay by 24 • August 24, 2010 • 725 Words (3 Pages) • 1, 293 Views Page 1 of 3 The Road Not Taken - an analysis "Do not follow where the path may lead. Go instead where there is no path and leave a trail. Robert Frost Everyone is a traveler, choosing the roads to follow on the map of their continuous journey, life. There is never a straight path that leaves one with but a sole direction in which to head. Regardless of the original message that Robert Frost had intended to convey, his poem, The Road Not Taken" has left its readers with many different interpretations. It is one's past, present and the attitude with which he looks upon his future that determines the shade of the light that he will see the poem in. In any case however, this poem clearly demonstrates Frost's belief that it is the road that one chooses that makes him the man who he is. "And sorry I could not travel both. It is always difficult to make a decision because it is impossible not to wonder about the opportunity cost, what will be missed out on. There is a strong sense of regret before the choice is even made and it lies in the knowledge that in one lifetime, it is impossible to travel down every path. In an attempt to make a decision, the traveler "looks down one as far as I could. The road that will be chosen leads to the unknown, as does any choice in life. As much he may strain his eyes to see as far the road stretches, eventually it surpasses his vision and he can never see where it is going to lead. It is the way that he chooses here that sets him off on his journey and decides where he is going. "Then took the other, just as fair, and having perhaps the better claim. What made it have the better claim is that "it was grassy and wanted wear. It was something that was obviously not for everyone because it seemed that the majority of people took the other path therefore he calls it "the road less travelled by. The fact that the traveler took this path over the more popular, secure one indicates the type of personality he has, one that does not want to necessarily follow the crowd but do more of what has never been done, what is new and different. "And both that morning equally lay in leaves no step had trodden black. The leaves had covered the ground and since the time they had fallen no one had yet to pass by on this road. Perhaps Frost does this because each time a person comes to the point where they have to make a choice, it is new to them, somewhere they have never been and they tend to feel as though no one else had ever been there either. "I kept the first. Only available on (2010, 08. The Road Not Taken... Retrieved 08, 2010, from "The Road Not Taken. 08 2010. 2010. 08 2010. "The Road Not Taken. 08 2010. Web. "The Road Not Taken. 08, 2010. Accessed 08, 2010...

The road not taken interpretation

The roads not taken summary. When I read or hear the name Michael Bay I instantly visualize it as a bullet in a dictionary with the definition Explosions. The road not taken by robert frost analysis. The road not taken pdf. Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference.

The road not taken robert frost analysis. Huge respect for this special forces! They never gave up. The roads not taken. The road not taken. I'm going to teach my students this famous poem by robert frost, but i'm still not so sure how to start. so could any of you provide me with some ideas, such as the analysis, interpretation, the rhymes or any ideas that might be helpful. Many thanks! here is the poem: The road not taken Robert frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I- I took the one less traveled by, And that has made all the difference. Maybe, you could start by asking them if they find this poem beautiful. Re: Where's the poem? Posted: 10-11-2003 11:01 PM here is the poem: The road not taken Robert frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I- I took the one less traveled by, And that has made all the difference. I would simply ask them what they understand of it? What can they simbolise? What the two ways could mean? What did the poet choose? Why does he say Sorry I could not travel both? Why is its title The road not taken? Ask them to give examples of choices we have to make it life. Tell the to choose the most beaitiful line in ther view. What difference has it made, Peter? I'd really like to know. Do you mind if I use this poem? I would also ask students what roads they would themselves take and what they might expect to find as they travel along each of them? Would you agree with me, Peter? Maj, a poem's interpretation is very much personal. Every poem is personal. This is what I am supposed to tell students, then? I thought it might be a good experience to be able to talk to the poet and see the poem through his eyes. In this case, you are the poet, Peter. I would also like to tell you that I have my own interpretation of the poem and I would like to contrast it with yours if you don't mind. Show more.

I read the title of the film thinking “I know this from somewhere. maybe its a remake or something” then I realised when he said ultraviolet that Id read the book and it was the first one ever to make me cry 😢. The road not taken frost.

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When analyzing Robert Frost 's poem, The Road Not Taken. first look at the shape of the poem on the page: four stanzas of five lines each; all lines are capitalized, flush left, and of approximately the same length. The rhyme scheme is A B A A B. There are four beats per line, mostly iambic with interesting use of anapests. The strict form makes it clear that the author is very concerned with form, with regularity. This formal style is totally Frost, who once said that writing free verse was “like playing tennis without a net. ” Content On first reading, the content of “The Road Not Taken” also seems formal, moralistic, and American: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. These three lines wrap the poem up and are its most famous lines. Independence, iconoclasm, self-reliance—these seem the great American virtues. But just as Frosts life was not the pure agrarian philosophes we imagine (for that poet, read Fernando Pessoas heteronym, Alberto Caeiro, especially the terrific “Keeper of Sheep”) so “The Road Not Taken” is also more than a panegyric for rebelling in the American grain. The Tricky Poem Frost himself called this one of his “tricky” poems. First, there is that title: “The Road Not Taken. ” If this is a poem about the road not taken, then is it about the road that the poet actually does take—the one most people do not take? This is the path that was, as he states, perhaps the better claim, Because it was grassy and wanted wear; Or is it about the road the poet did not take, which is the one that most people take? Or, for all that, is the point actually that it does not matter really which road you take, because even when you look way, way down to the bend you cant actually tell which one to choose: the passing there Had worn them really about the same. And both that morning equally lay In leaves no step had trodden black. Analysis Take heed here: The roads are really about the same. In the yellow woods (what season is this? what time of day? what feeling do you get from “yellow? ”) a road splits, and our traveler stands for a long time in Stanza 1 looking as far as he can down this leg of the “Y”—it is not immediately apparent which way is “better. ” In Stanza 2 he takes “the other, ” which is “grassy and wanted wear” (very good use of “wanted” here—for it to be a road it must be walked on, without the wear it is “wanting” that use. Still, the nub is, they both are “really about the same. ” Are you reminded of Yogi Berras famous quote, “If you come to a fork in the road, take it? ” Because in Stanza 3 the similarity between the roads is further detailed, that this morning (aha. no one has yet walked upon the leaves (autumn? aha. Oh well, the poet sighs, Ill take the other one next time. This is known, as Gregory Corso put it, as “The Poets Choice:” “If you gotta choose between two things, take both of ‘em. ” However, Frost acknowledges that usually when you take one way you keep going that way and rarely if ever circle back to try the other. We are, after all, trying to get somewhere. Arent we? However, this, too, is a loaded philosophical Frost question with no easy answer. So we make it to the fourth and final Stanza. Now the poet is old, remembering back to that morning on which this choice was made. Which road you take now seems to make all the difference, and the choice was/is clear, to take the road less traveled. Old age has applied the concept of Wisdom to a choice that was, at the time, basically arbitrary. But because this is the last stanza, it seems to carry the weight of truth. The words are concise and tough, not the ambiguities of the earlier stanzas. The last verse so upends the whole poem that a casual reader will say “Gee, this poem is so cool, listen to your own drummer, go your own way, Voyager! ” In fact, though, the poem is trickier, more complicated. Context In fact, when he was living in England, which is where this poem was written, Frost would often go on country rambles with the poet Edward Thomas, who used to try Frosts patience when trying to decide which route to take. Is this the final trickiness in the poem, that it is actually a personal gibe at an old friend, saying, “Lets go, Old Chap! Who cares which fork we take, yours, mine or Yogis? Either way, theres a cuppa and a dram at the other end! ”? From Lemony Snickets The Slippery Slope: “A man of my acquaintance once wrote a poem called ‘The Road Less Traveled, describing a journey he took through the woods along a path most travelers never used. The poet found that the road less traveled was peaceful but quite lonely, and he was probably a bit nervous as he went along, because if anything happened on the road less traveled, the other travelers would be on the road more frequently traveled and so couldnt hear him as he cried for help. Sure enough, that poet is now dead. ” ~Bob Holman.

YouTube. The roads not taken sally potter. The roads not taken poem. The road not taken meaning. The road not taken. The road not taken analysis line by line. You're amazing ang crazy musician. Ages and ages hence here we are. CREDIT Bruce Weber of The Times is riding his bike from Portland, Ore. to New York City and blogging about it as he goes. He writes that on the road in Montana, a lone cyclist can feel small. Go to related series on the In Transit blog » Were doing something new with our Poetry Pairings starting today. Were still working with the Poetry Foundation to choose a poem and match it with a Times article. But this year, instead of using the works from the American Life in Poetry series, were going to alternate classic poems with contemporary ones each week. Were beginning, today, with perhaps the most-taught American poem there is: Robert Frosts “The Road Not Taken. ” And yes, were putting it together with a Times piece about a journey in which literal and figurative roads are taken and not taken. Our challenge to you? To find other Times articles, photos, essays or opinion pieces with which this familiar poem might also be matched. What do you think “The Road Not Taken, ” a poem published in 1916, still has to say? What echoes of that can you find in Times accounts of our world today? Tell us here. Poem Decades before Elizabeth Alexander read her inaugural poem for President Obama in 2009, Robert Frost was the first poet to take part in a presidential inauguration— he read when President Kennedy was sworn into office in 1961. Robert Frost is one of Americas best-known poets, and his poem “The Road Not Taken, ” with its memorable closing lines, is often quoted. — Poetry Foundation The Road Not Taken By Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim Because it was grassy and wanted wear, Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I marked the first for another day! Yet knowing how way leads on to way I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference. Times Selection Excerpt In his “Life Is a Wheel” series, Bruce Weber of The Times is riding his bicycle across the United States and blogging about it. In his post “The Loneliness of the Long-Distance Rider, ” he writes from Eureka, Mont. : Im a little homesick. Is it homesickness? Maybe loneliness? Anxiety? Whatever it is, Ive been feeling a little sulky the last few days, less the intrepid traveler and more the kid at camp whos had enough and wants to go home. Im battling that, more than headwinds and hills. The question is why. I lost a friend to cancer a couple of weeks ago, and Im sure thats part of it, but this doesnt feel like grief. Rather, Im blaming it on the solo-ness of this adventure and the sense that the fortitude of any relatively sociable person (like me) is at least partly a function of the nearness and support of, well, those we want to be near and supported by. We can get along fine for a while on our own, but without the fuel of a kiss, a scratch behind the ears, a drink and a laugh with our pals, our self-reliance begins to dissipate like the juice in a cellphone. … Anyway, one thing has occurred to me; Im in the Rockies now, and the landscape is pretty intimidating, the roads slicing between mountains and climbing and dipping along the shores of rushing rivers and majestic lakes. In such a setting, a lone cyclist feels awfully small — and though that kind of humbling can be a thrill, I admit it can make me feel vulnerable, too, especially in the early morning when the air is crisp and chilly and the silence on the highway is broken by a rumbling double trailer truck speeding past at 70 miles an hour. (It isnt cheering that the Montana roadsides are dotted with white crosses, some wreathed in flowers, denoting highway deaths. Putting yourself out in that environment at the beginning of each day takes some self-persuasion and some nervously applied discipline; its easier if you have company. I realize this is a kind of conditioning; your will has to get in shape for a venture like this as much as your legs and your lungs. After reading the poem and article, tell us what you think — or suggest other Times content that could be matched with the poem instead. You can also visit the Poetry Foundation site to take a virtual poetry tour of Washington, D. C. (the stop on presidential inaugurals features Frost) and find more resources about Frost. See more about the collaboration and ideas for using any weeks pairing for teaching and learning ».

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